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Introduction to documentary / Bill Nichols.

By: Material type: TextTextPublication details: Bloomington, Indiana: Indiana University Press, c 2017.Edition: Third editionDescription: xvi, 258 pages ; 26 cm illISBN:
  • 9780253026347 (cloth : alk. paper)
  • 9780253026859 (pbk. : alk. paper)
Subject(s): Additional physical formats: Online version:: Introduction to documentaryDDC classification:
  • 070.18 23 NIC-I 2017 201094
Contents:
Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
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Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode Item holds
Books Books School of Creative Arts Library Book Cart Book 070.18 NIC-I 2017 201094 (Browse shelf(Opens below)) C 1 Available 201094
Total holds: 0
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070.0903 KYL-B 2008 201160 Breaking news : Renaissance journalism and the birth of the newspaper / 070.180 GAR-F 2007 200192 From Raj to Swaraj : 070.18 HAL-D 2020 201109 Documenting the visual arts / 070.18 NIC-I 2017 201094 Introduction to documentary / 070.18 RAB-D 2015 200904 Directing the documentary 070.18 RUSS-S 2010 200512 Shadows of progress : 070.18 WAU-T 2011 201390 The right to play oneself : looking back on documentary film /

Includes bibliographical references and index.

Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.

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