Studying Shakespeare on Film / Maurice Hindle.
Material type:
TextPublication details: Houndmills, Basingstoke [England] ; New York : Palgrave Macmillan, c2007.Description: xvii, 272 p. : ill. ; 23 cmISBN: - 1403906734 (cloth)
- 9781403906731 (cloth)
- 9781403906724 (pbk.)
- 1403906726 (pbk.)
- 791.436 22 HIN-S 2007 805635
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Lahore Business School Library Shelf No. 88, LBS | Book | 791.436 HIN-S 2007 805635 (Browse shelf(Opens below)) | Available | 805635 |
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| 780.28565 BEA-P 2000 802106 Multimedia : | 781.34416 BEA-C 2002 802113 Composing Music on Your PC / | 781.542 KAL-F 2010 804587 Film Music : | 791.436 HIN-S 2007 805635 Studying Shakespeare on Film / | 791.450232 ZET-T 2006 801867 Television Production Handbook / | 791.45024 ALT-A 2005 801863 Audio in Media/ | 792.09411 HOU-D 2004 804678 A Dream of Passion : |
Includes bibliographical references (p. 248-252) and index.
Includes filmography: p. 252-253.
Part I: Shakespeare and the language of film : Filming and staging Shakespeare: some contrasts ; The audience: individual and collective experience ; The space of the movie screen ; Imagery: verbal and visual ; Putting it all together -- Part II: The history of Shakespeare on film 1899-2005 : Silent Shakespeare ; The thirties: Hollywood Shakespeare ; The forties: Olivier and Welles ; The fifties: postwar diversity ; The sixties and seventies: Cultural revolution, filmic innovation ; The nineties: Branagh's renaissance and the Shakespeare on film revival ; 2000 and beyond: Shakespeare on film in the new millennium -- Part III: Communicating Shakespeare on film : Modes, styles, genres ; The theatrical mode ; The realistic mode ; The filmic mode ; The periodising mode ; Film genre: conventions and codes ; Genre conventions and the Shakespeare film adaptation ; A cross-cultural Shakespeare adaptation: Kurosawa's Kumonosu-Jô -- Part IV: Critical essays : Comedies: Kenneth Branagh's Much ado about nothing (UK, 1993), Adrian Noble's A midsummer night's dream (UK, 1996) ; Michael Hoffman's A midsummer night's dream (USA, 1999) ; Histories: Laurence Olivier's Henry V (UK, 1944) ; Kenneth Branagh's Henry V (UK, 1989) ; Laurence Olivier's Richard III (UK, 1955) ; Richard Loncraine's Richard III (UK, 1995) ; Tragedies: Franco Zeffirelli's Romeo and Juliet (UK/Italy, 1968) ; Baz Luhrmann's William Shakespeare's Romeo + Juliet (USA, 1996) ; Laurence Olivier's Hamlet (UK, 1948) ; Kenneth Branagh's Hamlet (UK, 1996) ; Michael Almereyda's Hamlet (USA, 2000) ; Orson Welles's Macbeth (USA, 1948) ; Roman Polanski's Macbeth (UK, 1971) -- Part V: Shakespeare on television ; Film and TV: the key differences ; The BBC-TV series: shooting the complete canon ; TV Shakespeare: the stage/screen hybrid ; Appendix 1: Box office data for selected Shakespeare film adaptations on theatrical release in US movie theatres from 1989 ; Appendix 2: Kenneth Brannagh's Much ado about nothing (1993): Structure of emotional registers and rhythms.